FORM identity study: poster, book and cards coordinated in ivory, black and ultramarine blue.Original studio concept, not a real client
CONCEPT / Creative

Forma

Studio concept: A brand is hard to judge when type and motion live in separate samples.

TYPEConcept
AREACreative
CLIENTNo commercial client stated
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The thesis

Typography and motion as a single language.

The imagined problem

A brand is hard to judge when type and motion live in separate samples.

The creative direction

The studio put type and motion in one visual language. It is not a commercial client and it reports no recognition.

The system

  • A type system for the concept
  • Motion used as part of the same language
  • A visual study, not a campaign

A visual language, in use.

Three illustrative applications of this studio concept. No client campaign or commercial result is implied.

FORM / CONCEPTShape. Rhythm. Character.Editorial composition
01 / Typography and hierarchy
InkPaperClay
02 / Colour relationships
FORM STUDIO CONCEPT
FORM identity study: poster, book and cards coordinated in ivory, black and ultramarine blue.

One identity. Many expressions.

03 / Social editorial format

Where it could apply

  • Poster, book and cards coordinated
  • A brand that moves with the same voice

How it was made

Original visual study, not a campaign: no client and no measure of recognition.

What it shows

That typography and motion can be designed together, not in separate samples.

This project explores a design and interaction approach. It is not a commercial result for a client, and it does not state metrics or performance that were not measured.

LET’S MAKE SOMETHING THAT MATTERS.

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A new idea. A problem to solve. A project to grow.